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The Triumph of Technique: the Industrialization of Agriculture and the Destruction of Rural America, by Robert Wolf from Ruskin Press. Iowa writer Robert Wolf's latest book takes a hard look at contemporary agriculture and its devastating impact on rural economies. The former Chicago Tribune columnist, who has been an Iowa resident since 1991, has been involved in rural affairs almost since his arrival. The Triumph of Technique: The Industrialization of Agriculture and The Destruction of Rural America invites the reader to join him on a search for the roots of the present crisis. Wolf, whose writing workshops with farmers and other working people produced An American Mosaic: Prose and Poetry by Everyday Folk, spent three years researching and writing The Triumph of Technique. This latest book has been judged by leaders of the sustainable agriculture movement as a significant contribution to understanding the depth of the current crisis in agriculture and its implications for the culture at large. Fred Kirchenmann, Director of the Aldo Leopold Center for Sustainable Agriculture, wrote: "The Triumph of Technique" isn't an ordinary account of the industrialization of agriculture. It is a wake up call, a warning, and a call to action. And it isn't just about the structure of agriculture but about the potential collapse of civilization and about the need to "restore human scale to human enterprise"and to "emphasize cooperation over competition, virtue over efficiency and control." The "technique"of the title refers not only technologies but to any methods developed for the purpose of achieving predetermined ends. Wolf argues that "In agriculture no less than the other practical arts, technique has played a determining and detrimental role. Besides providing the instruments for the creation of a centralized economy, technique has spawned numerous tools, such as pesticides and chemical fertilizers, bioengineered crops, and confined animal feeding operations. These and other tools have transformed agriculture into agribusiness, thereby taking the art out of farming." Large scale operations dominate the rural landscape. Gone are the small farmers who could earn a living off their land. Now medium size farmers face extinction. As human scale farming disappears, so too do rural towns, and thus the death of rural America is a consequence of the "Triumph of Technique." Ruskin
Press Outrage
for Dummies A review of The Triumph of Technique: the Industrialization of Agriculture and the Destruction of Rural America, by Robert Wolf
Robert Wolf has written a punchy, passionate, and philosophical book
about the demise of farming and rural life that will put the hand
wringers to shame and may just wake a few complacent types from their
slumber. Wolf
is a peripatetic chronicler of the American soul; a renaissance man
who paints and writes and philosophizes in the tradition of Plato
and Bronson Alcott. He has traveled the country on freight trains,
written books on Jazz, edited and published writings by homeless people
and Midwestern farmers, and written a half dozen plays. He was once
a columnist for the Chicago tribune and is now living in Iowa and
married to one of the great folk singers of this country, Bonnie Koloc.
Wolf
brings all this and more to his short treatise on agriculture, filling
it with the kind of intelligent, well crafted fury that used to characterize
an informed, independent minded and engaged American public. The book
weaves together in an irregular but ultimately satisfying fashion
three main threads or themes. On
the one hand, the book is a very personal account of Wolfšs confrontation
with the shadow side of modern agriculture, when he and his wife moved
to a pristine spot in the driftless region of the northeast Iowa countryside,
only to confront the reality of huge corporate hog factory being put
in down the road. Wolf became party to the legal battle with the farmer
responsible and so learned over the years the nitty, gritty, ins and
outs of how Iowa politicians and farm groups worked to make this spoiling
of the Iowa countryside legal, in the name of keeping Iowa the nationšs
#1 hog producing state. This is the most strident part of the book,
but also the most personal and human, providing a wonderful counter
point to the more historical and philosophical themes in the book. The
second thread is indeed historical and fascinating history at that.
Starting with Jefferson and Hamilton, Wolf chronicles the ongoing
tension over the decades between Americašs agrarian origins and ideals
and its growing urban, industrial realities. Arriving at the 1950's,
for example, Wolf shows how the steady and dramatic decline of farmers
was in large part the result of carefully planned economic policies,
which had the intent to drive farmers into urban areas where they
could become a source of cheap labor for Americašs factories. The
historical context Wolf provides puts the plight of the American farmer
today in a very different light, a light that forces one to step back
and reflect more deeply on a historical trajectory that neither popular
uprisings nor enlightened farm programs nor niche markets have yet
been able to change. It
is this invitation to a deeper, philosophical reflection that lies
at the heart of the book, which gives the book its title, and which
makes it unique among efforts of its kind. For Wolf, the ultimate
source of Americašs decline in farmers and rural life, lay not simply
in the play of power politics or economic upheavals, but rather in
the steady loss within western culture of an all encompassing "worldview,"
that is, an image of the universe, of society, of the human being
and of nature that gives meaning to our lives and direction to our
actions. The history of this loss of creative, moral imagination is
the most interesting part of this book, partly because Wolf manages
to make this erudite topic so tangible and accessible. Wolf shows
how the loss in the West of a feeling for the transcendent, for the
higher reality of thoughts and ideals has lead to a growing emphasis
on rationality and reductionism, and eventually to the triumph of
what he calls technique, which Wolf characterizes as a kind of modern
all consuming idol of efficiency:
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